Sketch Series 3!

Light and Fabric.

Different types of light sources (lamps) give off different "shades" of light.  A hue can look completely different under an incandescent bulb when compared to a CFL.  How does the color temperature of the light affect warm vs. cool hues?  Does the texture of the object have a role?

Lighting In and Around Gatewood Studio

Both warm and cool fabric samples looked the most muted under the incandescent light.  The overcast sun produced the best color rendering and the most clear textures.  The third fabric sample was a bright blue with a glossy finish, and I found that one most difficult to photograph under the LED, M16, and in the direct sun lighting conditions.  The CFL's in the studio proved to be the most neutral when compared to the other 5 conditions - definitely a good thing since light neutrality is imperative in a studio environment!

Sketch Series 2!

Layers of lighting in different public settings. . . .
Is the light scheme purposeful to the function of the space?

African American Atelier Gallery, Greensboro, NC



Mother Tucker's Eatery, Greensboro, NC

Coldwater Creek, Greensboro, NC

I found this series to be challenging in that it is very difficult to express all the different layers of lighting that define a space in a perspective drawing.  Drawing in plan was an option but it doesn't give the viewer a sense of what the space feels like.
Generally, I don't draw perspectives looking up, so I feel like there is a disconnect between the ceilings and picture plane - also not a big fan of drawing recessed lighting in perspective!!

With regards to the way lighting was used in public spaces, I feel like there can always be a criticism of a better way to go about it.  Like we learned from our Tidewater Adventure, one may not always know or understand why design choices were made the way that they were.  For example, I cannot for the life of me figure out why anyone would put recessed "canned" halogen lighting 8 feet above the top of your head in a dressing room, then place the lights so each one is increasingly more off center from the room below it.  People look awful underneath a strong overhead light, especially in a small, dark space with high walls.  But for some reason, this seems to be the lighting situation of choice in dressing rooms.  Perhaps it is a fire hazard to put wall sconces in a dressing room?

Lighting Sketch Series 1

One sketch a week of the same spot, emphasizing natural light.
As time goes by and summer changes to fall, I note that the days are getting shorter and the angle of the sunlight through the windows is changing. . . .



First Week of September, 9 am



Second Week of September, 10 am




Third Week of September, around noon



First Week of October, 3 pm

 

 

For me, this sketch series was as much an exercise in different drawing techniques as it was in understanding different light angles over the course of time.  Depending on the time of day and the weather, the mood of the space could change dramatically.  Experimenting with drawing styles allowed me to express the feel of the space in different ways. 

I think this sketch series would be really interesting over an extended period of time.  What would 365 days of my dining room look like in an array?

Scavenger Hunt

Illuminance:

6 fc

14 fc

25 fc

37 fc

47 fc

54 fc

65 fc

160 fc

 

Reflectance:

9%

25%

50%

78%

 

95%

 

Transmitance:

 

7%

36%

 

47%

73%

92%

 

 

Windows as the Vessels to the Soul

 

Windows as the (natural light) Vessels to the Soul

 

                In comparing the contrasting styles of window types between the Japanese and Dutch culture, I hope to shed light on my own feelings towards window types and natural light based on what I had in my home growing up and my personal preference now.

                In the Japanese culture, houses have distinctive paper-covered windows called shoji.  They transmit a soft, muted light and don’t allow a street side audience to see anything more than a silhouette of what might be inside.  These types of windows embody the Japanese culture in that traditionally they are a more withdrawn and private society.

                In the Netherlands, windows are large and portals into the life of the Dutch.  They often are set up in a “shotgun” style, so from the street, one is able to see through the front window, into the living area, and right out the back window into the garden.  The Dutch people are proud of their possessions and like to showcase them, allowing natural sunlight to create focal points on different areas at different times of the year.

                In my house growing up, we had two extremely large picture windows in the living room.  They were set up in the same way the Dutch often set up their windows, in the shotgun style.  During the day, this was fine, because you could see anyone coming and going, and they let a tremendous amount of light into the room, despite the fact that our front yard was covered in pine trees and the back window was covered by a huge awning.  During the nighttime, however, the windows made me feel uncomfortable because I couldn’t see out and everyone could see in.  My dad used to say that we were like “fish in a fishbowl” at night, and insisted that the shades be drawn.  After high school, I moved to Los Angeles.  In the condo that I lived in I had floor to ceiling windows on the entire east wall.  They were the only windows that let in natural light in the whole apartment.  My level of comfort was higher because the condo was on the fifth floor and overlooked the city.  Anyone walking down the street couldn’t really see in, and at night the lights of the city were illuminated.  Unlike my home in Ohio, the vastness of the dark of night didn’t seem as overbearing.  I think that these two types of windows describes me as a person in that while I am an open person allowing people to see into my life, I am careful about people I don’t know intruding on my privacy.

               

Human Health and Light

 

                I found the articles and health and light very interesting.  I have known for awhile that natural light effects our sleep pattern, and people that work nightshifts in bright areas have a skewed sense of time.  For me, as soon as it gets dark I start to feel sleepy, and if a professor were to turn off the lights in a classroom, I almost immediately put my head down.  I took an art history class at night once.  It was a three hour class that went from 6-9.  In the darkened auditorium with plush seating, by 7:30 I had to be woken up.  Needless to say, I am taking non-western art history again. 

                I would like to see more studies about the effect of blue light (for example, the LEDs in computer screens) in relationship to our ever faster-paced society.  People are sleeping less and working more and I am curious to know if the type of light we are receiving is more than just a coincidence.  I am also interested in knowing if I can use this to my advantage:  for example, when studying or when I have to stay up late doing (iarc) homework, should I surround myself with computer screens and cfls?  I am also curious to know how different types of lighting affect people in jail.  With minimal natural light and nearly 24 hour artificial light, does this make them more or less aggressive and how does the pattern of sleep play into that?