Layers of lighting in different public settings. . . .
Is the light scheme purposeful to the function of the space?
|African American Atelier Gallery, Greensboro, NC|
|Mother Tucker's Eatery, Greensboro, NC|
|Coldwater Creek, Greensboro, NC|
I found this series to be challenging in that it is very difficult to express all the different layers of lighting that define a space in a perspective drawing. Drawing in plan was an option but it doesn't give the viewer a sense of what the space feels like.
Generally, I don't draw perspectives looking up, so I feel like there is a disconnect between the ceilings and picture plane - also not a big fan of drawing recessed lighting in perspective!!
With regards to the way lighting was used in public spaces, I feel like there can always be a criticism of a better way to go about it. Like we learned from our Tidewater Adventure, one may not always know or understand why design choices were made the way that they were. For example, I cannot for the life of me figure out why anyone would put recessed "canned" halogen lighting 8 feet above the top of your head in a dressing room, then place the lights so each one is increasingly more off center from the room below it. People look awful underneath a strong overhead light, especially in a small, dark space with high walls. But for some reason, this seems to be the lighting situation of choice in dressing rooms. Perhaps it is a fire hazard to put wall sconces in a dressing room?